Showing posts with label Golijov. Show all posts
Showing posts with label Golijov. Show all posts

Wednesday, August 12, 2009

Golijov, davening

Slowly davening
while his music’s being
rehearsed, Golijov reverts
to his embodied
Jewish music.

Off any horse,
off any motorcycle,
far below any bird floating above,
his wholly human heart beats
as mine does as I watch him daven.


(12 AUG 09, Santa Clara CA)v4

Monday, August 10, 2009

Cabrillo 2009: Golijov

Last week from Wed. to Sat. a.m., I was down in Santa Cruz for Cabrillo 2009 with Ginny Beecher Zeitman who has been going there since the late '60s & is now a sponsor.

The most stunning piece we heard last Fri (opening) nite was "Azul" by (Argentinian-Jewish) Osvaldo Goiljov, inspired by his trip to Macchu Picchu: a cello concerto with 2 native-instrument percussionists & a hyper-accordionist, backed up by "a lot of other people" (he Cabrillo Festival Orchestra); Golijov historicized: "In the 19th c., music(al rhythm) was (based on) horses, in the 20th, motorcycles, now birds floating on air-(currents)." What about the embedded rhythm of the resting normal human heart? (1ce/sec.) Ginny (who was medical staff on the Stanford heart-transfer program) thinks we may have longago (primitively) adopted it as a musical meter. Is it a setting of the std. metronome?